Janine Antoni Chocolate

She is often described as a ballet phenom, having taken her first class at the age of 13, an advanced age to begin training in this traditional art form, and within three months was dancing en pointe. So it's appropriate that Janine Antoni, a virtuoso of public displays of anxiety, learned to walk the high wire for a video commissioned by SITE Santa Fe for her career survey, "taught tether teeter. Janine Antoni Gnaw 1992 installation with chocolate & lard X Newsletter Signup Price Database; Market Alerts; Analytics Reports; Gallery Network. ; One paradigmatically pompous painting, often cited as the origin and apex of modernist abstraction, is Kazimir Malevich’s Black Square (1913). Jane Antoni arrived on the scene with Gnaw, two 600 pound minimal cubes (one chocolate, one lard) that she aggressively bit into eroded architectural fragments, using the mouthfuls to generate other objects (45 heart-shaped chocolate packages, and 400 pigmented lipsticks). Mortar and Pestle, 1999. Another contemporary artist, Janine Antoni, has produced a series of sculptures with materials such as lard, soap and chocolate. These sculptures were made from an exact mould of her own bust in the way of classical sculpture. Lots of chocolate. In this work and others, Jane Antoni often confronts issues such as immateriality, process, the body, cultural perceptions of femininity and her art historical roots. Peter Paul Chocolates in action. See what Roxanne (RW1971) has discovered on Pinterest, the world's biggest collection of ideas. Being familiar with her before the talk, it was interesting to hear the full explanation of her pieces. Janine Antoni represents her identity in her piece “Lick and Lather” in several different ways. Janine Antoni I connected with Janine Antoni’s “Moor” the most out of all of her installations in the video. Janine Antoni: I am fertile ground By Nolan Kelly; Caroline Coon: The Great Offender By William Davie; Ron Gorchov: At the Cusp of the 80s, Paintings 1979–1983 By David Carrier; Brendan Fernandes: Contract and Release By Avram C. Visual Texture – The depiction of an object to give the illusion of physical texture. Robert Morris Untitled (Pine portal with Mirrors), 1961. I have in mind Duchamp’s Chocolate Grinder (No. Janine Antoni In her works, which may be seen as in-depth explorations of the mechanisms of self-construction or self-reconstruction, she is particularly interested in psychological and physiological manifestations, in neurotic obsessions with cleanliness, in the excesses of romantic fixations and in sleeping and eating disorders. Janine Antoni uses materials one would find on a shopping list – lipstick, chocolate, lard, soap – to critique conventional notions of femininity, as well as the masculinity of much Modernist art. By MATTHEW NASH. of lard; (approximately 2 x 2 x 2 feet) display: 130 Lipsticks made with pigment, beeswax, and chewed lard removed from the lard cube; 27 Heart-shaped packages made from chewed chocolate removed from the chocolate cube. Janine Antoni Lick and Lather, 1993 Two busts: one chocolate and one soap, two pedestals Edition of 7 and 1 full set of 14 busts, seven of each material. Compre o livro Bahamian Artists na Amazon. Janine Antoni made her sculpture Gnaw out of : a- white and dark chocolate. At PAW, Polich picked up where he left off, fabricating large-scale works of national and international significance, like the Korean War Veteran’s Memorial in Washington, D. Janine Antoni became indeed a fairy tale when she set foot in the Venice Biennale's Aperto, an exhibition committed to emerging juveniles, the year 1993, with her Lick and Lather made up of 14 portrait busts, cast of a model of herself and mounted on look-a-like ancient classical pedestals. Working with the choreographer Stephen Petronio and Anna Halprin, the 95-year-old Postmodern dance performer who helped pioneer the genre in. Vik Muniz, Action Photo, after Hans Namuth from Pictures of Chocolate, 1997. accessioned: 2007-03-02T22:52:44Z: dc. Each cast was identical until the artist undertook the task of licking the chocolate busts and bathing with the soap busts, hence the playful title, Lick and Lather. Thus Antoni has a compelling, almost passionate, affair with the matter of her art. Wednesday, February 11, 2015 7 pm | Ring Auditorium Janine Antoni creates powerful works through intimate and idiosyncratic means. Conceptually, Janine Antoni’s Lick and Lather seems a natural continuation of Rodin’s incomplete sculptures, whose human forms emanate from rough-hewn marble, and the “melting” surfaces of Medardo Rosso’s impressionistic portraits. Janine Antoni, b. Then she licked the chocolate bust down until its features became indistinct, and took the. “When Janine Antoni performed Loving Care in 1993, she moved herself into the history of contemporary art, and she has occupied that place ever since. They’re really cool; this artist created two casts of her face — one of them was out of chocolate and the other out of soap, and to finish the piece she licked the chocolate and took a bath with the other one. With the. One bust is made of chocolate which the artist licked repeatedly to smooth it out and one is made of soap and the artist took a bath with it. Do viewers get same sense of what this rope means? Eureka- story of Archimedes. These two busts, constructed in a classical style, represent the self portrait of Janine Antoni. In 1992, Janine Antoni gnawed at these blocks creating indentations of her teeth, chin and nose. Her works blur the lines between sculpture and performance art. If you see someone you know, wink. Children gnaw and drool on a giant block of chocolate reminiscent of Janine Antoni's sculptures, or prance nude with a childlike eroticism a la Sally Mann. Jane Alexander introduces the film. CAH 1090 - Fall 2016 - Artist Essay Catalogue. The project has two main goals: to show the outside world a more comprehensive picture of people who work. 1 août 2013 - Cette épingle a été découverte par Signor G. cubes, one made of chocolate, the other of lard, and then used the chewed out bits to create chocolate boxes and lipstick tubes, which she then displayed in a mock store front. Janine Antoni Lick and Lather (1994) – Two busts of the same human head and shoulders, one made of chocolate and one of soap. Reblogged 11 months ago from hopeless-and-lesbian (Originally from itsletalestrange). Artists, especially, have struggled with representing the ephemeral thing that is time–from On Kawara’s never-ending series of dated one-day paintings, to Janine Antoni’s infinitely massive and barely gnawed-at hunks of chocolate and lard, to Hiroshi Sugimoto’s long-exposure photographs of movie theaters, to Iiigo Manglano-Ovalle’s. DESCRIPTION. Antoni’s work is process-driven, and relates deeply to the artist’s body as both subject and mode of production. For my 3D to 2D project I used a photo of my architectural relief. She took weeks to gnaw away at these cubes, biting, chewing. Janine Antoni is another performance artist who has developed sculpture as a medium for a portion of her works; removing herself from her pieces and making her presence represented only in memory. I used my research of the artist Janine Antoni as an influence in creating a fragment of the body, after finding her life-size chocolate head sculptures (1993). Date 1992. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two Minimalist-looking cubes—one made of 600 pounds of lard and the other of chocolate. of Chocolate and 600 lbs. Combining performance and sculpture, she investigates such everyday activities as eating and sleeping. Instead of focusing purely on how the art object looks, her approach is more likely to draw the viewer into an engagement through touch, smell, taste, or sound and into the process of how the work comes to be. Janine Antoni, New York. From Leonardo da Vinci’s likeness in red chalk, to court painters such as Velázquez painting their own image into commissioned portraits of others, to Janine Antoni’s busts made of chocolate and soap, each artist has devised their own unique way to depict themselves. The artist’s portrayal of the body is created directly with her own body in her self-portrait “Gnaw” (1992) (fig. A conceptual artist who's been a MacArthur and Guggenheim fellow, Antoni has dipped herself in a tub of lard, painted a floor with her hair, used mouthfuls of chocolate to mold "lipsticks" and. In Paper Dance, Antoni is surrounded by crates containing her past works, including sculptures, such as her 1993 work in chocolate and soap, Lick and Lather, and photographic works, like Mom and Dad (1994). Janine Antoni, Graft, 2013 The resin objects on the second floor at 1414 Monterey Street were inspired by milagros, folk charms that are used for healing purposes. 1964, Freeport, Bahamas) received her BA in 1986 from Sarah Lawrence College in New York before earning her MFA from the Rhode Island School of Design in 1989. Compre o livro Bahamian Artists na Amazon. After reading the snippet about the project I watched a video (below) that told more about the project. From the MOMA Inside/Out blog. identifier: 004143: en_US: dc. The fall exhibition "When a Kiss Isn't Just a Kiss," on view through Oct. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. " The event also featured pieces by famous photographers from the 1990s. For Janine Antoni, the body is a tool with which to create art. " We were shown works by the following artists for inspiration: Nick Cave, Janine Antoni, Caroline Broadhead, Rebecca Horn, Franz West, Erwin Wurm. janine antoni in five easy lessons Wed, May 1, 1996, 01:00 GNAW: In 1992, Antoni made two large blocks, one of lard, one if chocolate, and gnawed at each or several days, spitting out the material. ” She “even. -The Lick and Lather sculpture is a self-portrait of Janine. Uncompromising photographic works like Mortar & Pestle, 1999,. Artists)create)focal)points)by)using)the)following)elements)and)principles:)isolation,)scale,) colour)and/or)value)contrast,)location)in)the)piece,)direction)of)lines. Wednesday, November 28th, 7 PM UICA Members Free | Non-Members $5 Don’t miss this opportunity to hear contemporary artist Janine Antoni speak at the UICA! The Visual Arts Guild will be attending, if you would like to join/carpool please email ([email protected] Easily share your publications and get them in front of Issuu’s. Press J to jump to the feed. One of the things that I love about art is that it engages with so many different topics and materials. Work in the McDonalds kitchen. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. The work playfully. 3d sanat, Resim sanatı, Heykel hakkında daha fazla fikir görün. click image. "Lick and Lather" (1993-94) self-portrait busts in chocolate and soap by Janine Antoni in "Gorgeous," through Sept. Janine Antoni is active/lives in New York / Bahamas. Hey guys, mid-terms are over! Or just starting. I first encountered Janine Antoni’s work in grad school in the late ’90s. Seven statues were cast in white soap, and the other. individuality. For the playful "Lick and Lather" (1993-94), a pair of flawed side-by-side busts in her own image, Janine Antoni used soap for one and chocolate for the other. Dimensions: Head I: 24 × 13 in. Janine Antoni Gnaw, 1992 600 lb chocolate cube and 600 lb lard cube gnawed by the artist, 27 heart-shaped packages of chocolate made from chewed chocolate removed from chocolate cube and 130 lipsticks made with pigment, beeswax, and chewed lard removed from lard cube. and I were stopped absolutely cold in our black boots by an enormous. In the work, she chewed 600-pound cubes of chocolate, then the same quantity of lard, until she was too exhausted to continue. She has eaten giant cubes of chocolate and lard, washed a soap bust of her face, liked a chocolate bust of her face, trained for tight rope walking, and dipped her hair in paint and painted an entire floor with just her hair. Lick & Lather chocolate and soap busts busts: 24 x 15 x 13ins. My Qualifying Paper studies the performative objects that the New York-based artist, Janine Antoni created in the 1990s. Antoni’s work blurs the distinction between performance art and sculpture. 1964), Lot 50, entitled, "Gnaw," consisting of a two large cubes, one of chocolate and one of lard, and a couple dozen chocolate candy boxes and a few hundred lipsticks displayed on glass shelves in a mirrored "room" was sold for $204,000, a record of the artist and had a high estimate of only $100,000. Copeland is a popular soloist with American Ballet Theater (ABT), the third African American soloist in the company’s history. These two busts, constructed in a classical style, represent the self portrait of Janine Antoni. Janine Antoni It was recommended that I investigate the work of Janine Antoni, an artist who works photographically as well as with performative sculpture. Janine Antoni uses every part of her body in her work. The project has two main goals: to show the outside world a more comprehensive picture of people who work. What do lard, soap, chocolate and maple trees have in common? Artist Janine Antoni has sculpted, molded and even licked each of them into works of art. More than 2 million child labourers work on. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. Photo by John Bessler. Then she licked the chocolate bust down until its features became indistinct, and took the soap bust into the shower with her, letting water slowly erode its features. janine antoni in five easy lessons Wed, May 1, 1996, 01:00 GNAW: In 1992, Antoni made two large blocks, one of lard, one if chocolate, and gnawed at each or several days, spitting out the material. Lather a soap bust of yourself. Janine Antoni's work titled Gnaw is an excellent example of social critique through a creative medium. Detailed description from MoMA and from Brooklyn Museum. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Janine!Antoni!. Introduction. Here, Antoni uses chocolate and soap to make self-portrait busts. Tightrope acts are anxious spectacles. Her brother Robert Antoni is better known in the world of Caribbean writing. Sculptor Petah Coyne’s Daphne provides a contemporary counterpart to Alfred Maurer’s Woman in a Black Dress and the dense detail of a. Medium: Chocolate and soap. Immediately remove from heat and whisk in: 8 ounces semi-sweet chocolate, cut into 1/4 inch pieces. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two Minimalist-looking cubes—one made of 600 pounds of lard and the other of chocolate. cube of chocolate, th e other of lard. Read more. For my 3D to 2D project I used a photo of my architectural relief. She has chiseled cubes of lard and chocolate with her teeth, and washed away the faces of soap busts made in her own likeness. For instance, in her work Gnaw (1992), she used her mouth to chew and spit out 600-pound cubes of chocolate and lard in the shapes of lipstick tubes and chocolate boxes, which she later displayed in a mock storefront. Children gnaw and drool on a giant block of chocolate reminiscent of Janine Antoni's sculptures, or prance nude with a childlike eroticism a la Sally Mann. Janine Antoni Date created 1993-1994 Classification sculpture Medium two self-portrait busts: one chocolate and one soap Dimensions 24 in. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. She takes everyday activities, such as eating, bathing and mopping the floor, and transforms them into sculptural processes, imitating the rituals of art. This newest salon sports the occasional witty work (like Janine Antoni's airlessly glitzy mock boutique of lipstick and chocolate, "Gnaw") but is mostly preachy and glum. Her body is both her tool for making and the source from which her meaning arises. 24” x 24” x 24” (61 cm x 61 cm x 61 cm). As part of her process, she licked the chocolate bust to represent stereotypical menstrual cravings and used the soap in the shower to represent the social expectation that women be perfectly. It's a set of self-portrait busts that the artist cast in chocolate and soap and finished by licking. Janine Antoni, Loving Care (perfonnance art), 1992. Carve it with a knife. Antoni’s work blurs the distinction between performance art and sculpture. For her famous 1992 sculpture Gnaw, she chewed away at 600-pound blocks of chocolate and lard—carving stand-alone sculptures, rough with tooth marks—until she was too tired to carry on. View an online catalogue of Janine Antoni's biography and artwork. From painting with sented paint and spices, to carving chocolate like Janine Antoni's Gnaw, and teaching depth and perspective drawing through learning the composition and workings of one’s eye we have been able to explore art through a variety of practices and learn techniques. Janines work is a blur distinction between performance art and sculptures. Janine Antoni, Bahamian, b. About the gap between the commercial world of romance and the private cravings it feeds on and causes. Laminated pine and mirrors, 213,4 x 121,9 x 27,9 cm. Yet these organic materials carry a range of cultural associations, not only can they be consumed but carry connections between body image and the pleasure that can turn into disgust in the consumption. Glamorous Janine Gray flew into London today from Hollywood to star in Thames Television's popular series 'Sexton Blake'' which will start again this Autumn. For Janine Antoni, creative process takes on a psychological disposition. "Gnaw" consists of two 600-pound cubes,. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. Janine Antoni is known for installation sculpture, conceptual. Antoni as an artist uses pieces of her in her work, so often times her identity is tied up in more ways then one in her work. Delineating the act of consecrating an ordinary object as a work of fine art from the object's actual physical production is a re-occurring theme in the examples Buskirk holds up for our examination. CAH 1090 - Fall 2016 - Artist Essay Catalogue. They’re really cool; this artist created two casts of her face — one of them was out of chocolate and the other out of soap, and to finish the piece she licked the chocolate and took a bath with the other one. “Everybody likes music and everybody likes art,” he says. See what Roxanne (RW1971) has discovered on Pinterest, the world's biggest collection of ideas. self-portrait busts of Janine Antoni, one cast in chocolate and the other soap. 24” x 24” x 24” (61 cm x 61 cm x 61 cm). She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket. 14, 1969 - Janine Gray Comes to London. The goal of licking and washing. Janine Antoni’s work spans – performance, photography and sculpture. Digital Consciousness Janine Antoni Gallery: Janine Antoni (1964-Janine was born in Freeport, Bahamas and resides in New York. Janine Antoni uses her body to create the majority of her artwork. 24 Janine Antoni, Gnaw, 1992. Antoni's classic piece in this genre, "Gnaw" (1992), entailed performances in which she would chew away a gargantuan block of chocolate to reveal a (pre-prepared) statue of herself or, in corresponding fashion, model herself out of soap. Janine Antoni, Lick and Lather (1993) This iteration of Lick and Lather, the only extant set of 14 busts, was first shown at the 1993 Venice Biennale, and later that year at the Sandra Gehring Gallery in New York. Copeland is a popular soloist with American Ballet Theater (ABT), the third African American soloist in the company’s history. After reading the snippet about the project I watched a video (below) that told more about the project. Then she licked the chocolate bust down until its features became indistinct, and took the soap bust into the shower with her, letting water slowly erode its features. Describe Lick and Lather and how it was made. bringing you the inevitable convergence of contemporary art and internet slang. Antoni's works focus on process and the transitions between the making and finished product, she uses her body, both as an entity, or paying particular attention to body parts as tools, utilizing her mouth, eyelashes, through technological scanning, the brain, to perform. Janine Antoni Moor, 2001 Installation materials used in this section of the rope are: Dad's coconut husks, Joe's blue pants, Rosary beads found with Doug, Doug's grandmother's dish towel, Elizabeth's grandmother's blue and white striped apron, Mom's fall and hairnet, Grandmother Gugu's slip, Red velour Christmas dress worn by Granny Miana. Instead of focusing purely on how the art object looks, her approach is more likely to draw the viewer into an engagement through touch, smell, taste, or sound and into the process of how the work comes to be. Janine Antoni (1964- Janine was born in Freeport, Bahamas and resides in New York. Janine Antoni was born in Freeport, Bahamas, in 1964. 191: JANINE ANTONI. Amidst the '90s "body-art-craze," Janine Antoni gnawed away at a 600-pound block of chocolate over the course of a month to create a jagged cube, infusing Minimalism with pathological desire and social issues such as anorexia. Sketches Final Piece. Antoni’s work blurs the distinction between performance art and sculpture. Medardo Rosso's sculptures haunts me because his pieces are like dreams as our eyes search to discern the vague features in stone, wax or plaster. Antoni Rhyming, similar names and popularity. Paul McCarthy, who most recently inflated his five-story-high, chocolate-colored "Pinocchio" in Central Park, puts his dark pop pieces on view in this cavernous space, along with Janine Antoni. But then I talked to Logan and realized that Antoni is really incredible--definitely not afraid to put her whole body into her work. In these early performances, Antoni made physical traces on malleable materials like chocolate, lard, and soap with everyday movements—gnawing, mopping, licking, weaving, and winking. Antoni has a feminist* concern for cultural perceptions of sexuality, which she expresses in performance* art-making processes. Where Janine Antoni painted the gallery floor using her hair as a brush and hair colouring as paint (Loving Care, 1992) Sissi Westerberg took up the theme anew in her piece Drawing a Line. If you see someone you know, wink. After listening to the announcer’s experience with “Cindy Sherman” at the exhibition and the story “Suddenly a Knock at a Door” I am questioning my ability to impersonate someone. Take, for example, their commentary on Janine Antoni’s self-portrait busts, Lick and Lather (1993–1994), made from soap and chocolate. To make the work, Antoni cast her own head and shoulders from life in two materials, chocolate and soap, producing seven of each. Reverse relationship between drinker and. Janine Antoni was born in Freeport, Bahamas in 1964. For now, I looked to the visual decisions Antoni made in order to understand her intentions of using her hair as a tool. Antoni’s work blurs the distinction between performance art and sculpture. She licked the sweet sculpture to re-mold her image and took the soap bust to the. Jane Alexander introduces the film. She has eaten giant cubes of chocolate and lard, washed a soap bust of her face, liked a chocolate bust of her face, trained for tight rope walking, and dipped her hair in paint and painted an entire floor with just her hair. Janine Antoni In her works, which may be seen as in-depth explorations of the mechanisms of self-construction or self-reconstruction, she is particularly interested in psychological and physiological manifestations, in neurotic obsessions with cleanliness, in the excesses of romantic fixations and in sleeping and eating disorders. Janine Antoni. I also can’t stop thinking about Janine Antoni’s Lick and Lather (1993), seven chocolate self-portrait busts and seven soap ones. Janine Antoni gnashes and nibbles a huge cube of chocolate in this sweet-toothed work of performance art. Another contemporary artist, Janine Antoni, has produced a series of sculptures with materials such as lard, soap and chocolate. My inspiration was Pink Floyd’s album cover Dark Side of the Moon. In 1992, Janine Antoni gnawed at these blocks creating indentations of her teeth, chin and nose. ARTISTS ARE WEIRD. 96 cm); and the same weight and size of lard, also gnawed by the artist. Lilibeth Cuenca Rasmussen’s extreme paintings take on a performance quality: great sweeping actions as hair is dipped in ink; her whole body a painting tool. In the work, she chewed 600-pound cubes of chocolate, then the same quantity of lard, until she was too exhausted to continue. Internationally recognized artist Janine Antoni will present a public lecture at 7 p. Digital Consciousness Janine Antoni Gallery: Janine Antoni (1964-Janine was born in Freeport, Bahamas and resides in New York. Janine Antoni, Loving Care, 1993, performance at Anthony D'Offay Gallery, London (but also done in Hartford, elsewhere) Antoni, Gnaw sculptures: Chocolate Gnaw, Lard Gnaw, 1992 (600 lbs. Janine Antoni, uses his own body as subject and object of their works. Few people spend days gnawing on a 600-pound block of chocolate, allow spiders to construct webs between their legs or submerge themselves in baths of lard. Es de 1992 y podeis ver su trailer AQUÍ. SITE SANTA FE. of lard (before licking and biting) Janine Antoni, Lipsticks and Candy Box, 1992. bombmagazine. The structure asks for its visitors to gradually make their way up from the bottom, moving from the Gallery’s earliest acquisitions like the paintings of French Post-Impressionist Pierre Bonnard to its contemporary work, such as Janine Antoni’s much fussed over “Lick and Lather,” a series of busts composed of chocolate and soap. admonishing audience members, privately, one at a time, to “feed” her. All Antoni's main projects have been performed in front of an audience. Grosenick, Uta ed. Antoni’s Gnaw (1992), is an example of the artist using her body as a tool for sculpture. "Lick and Lather" by Janine Antoni. From painting with sented paint and spices, to carving chocolate like Janine Antoni's Gnaw, and teaching depth and perspective drawing through learning the composition and workings of one’s eye we have been able to explore art through a variety of practices and learn techniques. Antoni’s primary tool for making sculpture is her own body. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. Utilizing unique materials like chocolate and soap, contemporary artist Janine Antoni will blur the line between performance art and sculpture as part of the 2012 Conrad Nelson Lecture. Easily share your publications and get them in front of Issuu’s. They’re really cool; this artist created two casts of her face — one of them was out of chocolate and the other out of soap, and to finish the piece she licked the chocolate and took a bath with the other one. Unauthorized use is prohibited. Ken Friedman, 1966. Artists)create)focal)points)by)using)the)following)elements)and)principles:)isolation,)scale,) colour)and/or)value)contrast,)location)in)the)piece,)direction)of)lines. The Beginning of the End. bombmagazine. Antoni made the molds “directly” from her “body. Lots of chocolate. Janine Antoni, Bahamian, b. 1933) Cut Piece, performance, 1964 (Japan - PowerPoint PPT Presentation. Specifically we discussed the themes of Systems, Transformation and Fantasy as they relate to her work. Courtesy of the artist and Luhring Augustine, New York. Like any negotiation with history, the understanding of her performance, in which she dipped her long hair in black dye and set about mopping the floor, has been complicated by its initial reception. Lick and Lather, detail, 7 soap and 7 chocolate self-portrait busts; 24 x 16 x 13 inches each. Janine Antoni combines both sculpture and performance and as such continues a long tradition that includes the Dadaists e. 1964 Bahamas Gnaw, 1992, a two week performance sculpture that the artist chewed into - one 600 lb. In "Swoon," her latest installation at Capp Street Project, visitors are greeted. b- Chalk c- stone d- wood c- lard and chocolate. In a work called Lick and Lathershe made busts of her portrait in choco-late and soap, and then videotaped her washing the soap figure and lick-ing the chocolate bust. Janine Antoni, Gnaw, 1992. Janine Antoni Date posted: October 31, 2003 Back to the exhibition Janine Antoni was born in the Bahamas in 1964 and now lives in New York. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. 150 lipsticks made with pigment, beeswax, and chewed lard removed from the lard cube, and 45 heart-shaped packages made from the chewed chocolate removed from the chocolate cube. Chadwick's recurrent use of perishable and edible materials to make work, for example chocolate, rotting food matter, and meat, aligns her practice to the likes of fellow British artist, Anya Gallacio, and to the American, Janine Antoni, as well as to the older feminist generation devoted to the exposure of flesh and our innards. Here, Antoni uses chocolate and soap to make self-portrait busts. " We were shown works by the following artists for inspiration: Nick Cave, Janine Antoni, Caroline Broadhead, Rebecca Horn, Franz West, Erwin Wurm. Edwards was in New York to attend the Fancy Food Show, an annual orgy of chocolate, cheese, wine, and, importantly, ham. This work functionedas Antoni’s preparation for Gnaw (1992), a larger project that features 600-pound cubes of chocolate and lard. May 19, 2018 - Explore Samet Durgun's board "Janine Antoni" on Pinterest. Janine Antoni, Anna Halprin, and Stephen Petronio Navigate Gap between Art and Dance in Major Exhibition at The Fabric Workshop and Museum Janine Antoni in collaboration with Anna Halprin, Paper Dance, 2013. docx from ARTS 1301 at Richland Community College. Baby Bear as Mascotz. In their final form, elevated on marble pedestals, the two blocks are visibly diminished. Invaluable is the world's largest marketplace for art, antiques, and collectibles. It's where your interests connect you with your people. of Lard and 45 molded chocolate boxes and 102 lard lipsticks Works such as “Gnaw” display such taboo compulsions, as the subject of eating disorders was performed privately. But these aren’t your ordinary bronze or marble statues. The body has long been a theme in art, and even when we look back to the beginning of art we can find figurative art, or art depicting the human form, throughout. Lick and Lather by Janine Antoni, 1993, are artist self-portrait busts in chocolate and soap But beyond any moral obligation to preserve artworks for the future, conservation has a compelling. Referencing some of the background information you’ve learned about one of these artists (or from further research you do; click the bold links), reflect on how the artist represents or expresses the concept of identity in one of these specific works: Lick and Lather (cast chocolate and soap) by Janine Antoni 1993, a recent self portrait by Chuck Close (see him on the Colbert Report here. In her Raid the Icebox Now installation, Simone Leigh places modern and contemporary works by Janine Antoni, Huma Bhabha, David Hammons, and Nancy Elizabeth Prophet in the RISD Museum’s ancient Greek, Roman, and Egyptian galleries. Janine Antoni 1993-94 Lick And Lather 2 Chocolate And Soap Cradle, 1999, detail, two tons of steel, 59 x 58 x 60-1/2”. Janine Antoni, Loving Care (perfonnance art), 1992. -The Lick and Lather sculpture is a self-portrait of Janine. Photo credit: moonlightbulb. González-Torres’s pile of interactive candy and Janine Antoni’s “Lick and Lather” (molds of the artist’s head—one chocolate, the other soap—that The Important Role of Art Museums on College Campuses - The Atlantic. Es de 1992 y podeis ver su trailer AQUÍ. frozenfishbag:. 1933) Cut Piece, performance, 1964 (Japan - PowerPoint PPT Presentation. Janine Antoni Lick and Lather (1994) – Two busts of the same human head and shoulders, one made of chocolate and one of soap. self-portrait busts of Janine Antoni, one cast in chocolate and the other soap. But I had convinced him to take some time off from selling ham--in order to. As part of her process, she licked the chocolate bust to represent stereotypical menstrual cravings and used the soap in the shower to represent the social expectation that women be perfectly. Artist Janine Antoni "carved" chocolate with her teeth and then spit it out. For example, the soap and chocolate molds were about the process of cleaning oneself with oneself and feeding oneself with oneself, not about the visual elements of the work. Buy online, view images and see past prices for Janine Antoni (B. I am very influenced by Janine Antoni by her use of autobiography, specifically in the ways that she creates her “self” and then breaks that down, either through a process of wearing away (as in her chocolate and soap busts) or by making connections to others (as in her rope piece). The project has two main goals: to show the outside world a more comprehensive picture of people who work. Scher, Candy Ass, Marilyn Minter, Janine Antoni, Kathe Burkhart Untitled, 1995 2 boxes (Box 1, Box 2) each with 6 artist-designed candies each box- 8h x 8w x 2d in VA001. Artist Janine Antoni's "Lick and Lather" sculpture features a chocolate bust of the artist (as well as one of soap); photo courtesy Flickr user KellyTheDeluded. Her intent in creating the two sculptures that were contrasting in material but similar in presentation was to highlight the “love-hate relationship” that people tend to have towards their physical appearance. 64 cm) (each) Installation dimensions: variable. Combining performance and sculpture, she investigates such everyday activities as eating and sleeping. Each cube was originally 600lbs, but she whittled down each block "using her mouth as a tool". She is often described as a ballet phenom, having taken her first class at the age of 13, an advanced age to begin training in this traditional art form, and within three months was dancing en pointe. Janine Antoni “Gnaw” 1992, 600 lbs. Janine This paper analyzes Janine Antoni art process. Photo credit: moonlightbulb. One is cast in chocolate … and the other in soap. She has chiseled cubes of lard and chocolate with her teeth, and washed away the faces of soap busts made in her own likeness. Janine Antoni Much of Janine Antoni's work is less about the visual outcome of the pieces, and more about the process used to make the pieces and the meaning behind the pieces. For example, in her work Gnaw (1992) Antoni uses her mouth and the activity of eating or chewing to carve two 600 lb. of chocolate gnawed by the artist over a month, and 600 lbs. Tumblr is a place to express yourself, discover yourself, and bond over the stuff you love. " The event also featured pieces by famous photographers from the 1990s. Baby Bear as Mascotz. Janine Antoni’s work is comfortably cemented in contemporary art history. Aug 1, 2013 - Explore Sue Law's board "Janine Antoni", followed by 115 people on Pinterest. But today at 2 p. All Antoni's main projects have been performed in front of an audience. In a work called Lick and Lathershe made busts of her portrait in choco-late and soap, and then videotaped her washing the soap figure and lick-ing the chocolate bust. Big one to start with or cheese grater then use a smaller knife for the details like an Xacto knife. Watercolorist. 24” x 24” x 24” (61 cm x 61 cm x 61 cm). One Square Inch of Silence was very interesting to learn about. Janine Antoni’s performance Loving Care in 1993 began with hair. It's a set of self-portrait busts that the artist cast in chocolate and soap and finished by licking. Hear artists reflect on gender and performance, transform themselves into cockroaches, and sculpt self-portraits from chocolate and soap. She says, “It’s a funny thing when you make pieces about desire and people succumb to their desire. Jenny Saville Closed Contact* (1996). 1964) Antoni, J. 651 ART SINCE 1940 Prof. Janine This paper analyzes Janine Antoni art process. Antoni received a Bachelor of Arts degree in 1986 from Sarah Lawrence College in Bronxville, NY. on Wednesday, April 14, in the Fine Arts Center Recital Hall at Arkansas State University. Carve it with a knife. Antoni’s works focus mostly on process and the transitions between the making and finished product. Antoni’s early work is distinctive in that she uses her teeth, tongue, hands, hair, and eyelashes to transform unusual materials like chocolate, hair dye, lard, and soap into new shapes and forms. Antoni’s early work is distinctive in that she uses her teeth, tongue, hands, hair, and eyelashes to transform unusual materials like chocolate, hair dye, lard, and soap into new shapes and forms. For the playful "Lick and Lather" (1993-94), a pair of flawed side-by-side busts in her own image, Janine Antoni used soap for one and chocolate for the other. For my 3D to 2D project I used a photo of my architectural relief. and I were stopped absolutely cold in our black boots by an enormous. of Lard and 45 molded chocolate boxes and 102 lard lipsticks Works such as “Gnaw” display such taboo compulsions, as the subject of eating disorders was performed privately. Three-part installation: 600 lbs. before binging chocolate 1992: Janine Antoni Lard Gnaw(600 lb. Upon showing my teacher, Ms. Watercolorist. Janine Antoni Date created 1993-1994 Classification sculpture Medium two self-portrait busts: one chocolate and one soap Dimensions 24 in. Lick and lather. SITE SANTA FE. Photo by Hugo Glendinning. Aug 1, 2013 - This Pin was discovered by Signor G. Janine Antoni, Lick and Lather, 1993–94; chocolate and soap; 24 in. Janine Antoni explores the boundaries between object making and performance. In their hands, the banners that customarily announce the Museum's presence brandish subversive messages and promote provocative agendas. Antoni’s work was recently featured on the second season of Art: 21, the critically acclaimed PBS series about contemporary art. Concept, title and score by Anna Halprin. For the 1995 photograph Momme, she hid under her mother’s dress, her own adult body bulging like a pregnant belly. Wednesday, February 11, 2015 7 pm | Ring Auditorium Janine Antoni creates powerful works through intimate and idiosyncratic means. Janine Antoni was born in Freeport, Bahamas, in 1964. Substitution for love and affection. In the performance work Gnaw of 1992 (pictured), the artist explored both visually and theatrically,. Since the 1990s, Janine Antoni has played a prolific role in performance and installation art. Janine Antoni introduces student artists to working with unconventional materials: chocolate, soap, cow's milk. Antoni dips her ponytailed hair into a bucket of dark dye then wrings out the excess liquid. Your Body Extension can be functional or its appearance can imply function but it must be designed to either attach to the body, or serve as a remote prosthesis. Medardo Rosso's sculptures haunts me because his pieces are like dreams as our eyes search to discern the vague features in stone, wax or plaster. Antoni uses her body as both a tool to sculpt and as the subject of her work. The waste material of Antoni’s Gnaw series was sculpted into another series of works, Lick and Lather, two female busts which could be seen. Internationally recognized artist Janine Antoni will present a public lecture at 7 p. from Sarah Lawrence College, in New York, she decided to attend The Rhode Island School of Design where she earned her M. Credit Line: Collection of Jill and Peter Kraus. Yup!!! She choice soap because women are clean and smell sweet and nice, and chocolate because that’s the favorite choice of sweets among women. We cover subjects who tend to be underrepresented in the greater tech narrative. Antoni’s early work is distinctive in that she uses her teeth, tongue, hands, hair, and eyelashes to transform unusual materials like chocolate, hair dye, lard, and soap into new shapes and forms. The lecture is set for April 4 at 7 p. 02 cm) (each, approximately) Pedestal: 45 7/8 x 16 inches (116. Choreographer Stephen Petronio greeted his guests and introduced his dancers who appeared in an excerpt of his newest work "LIKE LAZARUS DID", part of an evening length work with artist Janine Antoni and composer SON LUX with yMUSIC and the Young People's Chorus of New York. Hey guys, mid-terms are over! Or just starting. ARTISTS ARE. Meret Oppenheim's Spring Feast (1935) and the work of many of the Pop artists of the 1960s. A Blog About Things I Like. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. from Sarah Lawrence College, in New York, she decided to attend The Rhode Island School of Design where she earned her M. Janine Antoni. Installation dimensions: variable. See more ideas about Lee ufan, Wellness design, Wayfinding signs. Other highlights include Michal Rovner's animated petri dishes, Jun Nguyen Hatsushiba's underwater dramas and a portrait bust in chocolate that Janine Antoni has literally licked into shape. Antoni’s primary tool for making sculpture is her own body. Lick and Lather (Selbstporträt), Ausschnitt, 1993, Schokolade, New York; Virtuelle Diathek, Universität Hamburg, Kunstgeschichtliches Seminar Page 221 of 506. Janine Antoni Portrait busts of the arEst molded with chocolate and soap Features erased by process of licking and washing Janine Antoni, Lick and Lather, 1993 Brooklyn Museum 30. After hearing her speak about the dedication and thought behind her works such as the rope symbolizing an umbilical cord for society and the cradle representing a constant need to be held,…. Photo: Xandra Ibarra, Nude Laughing, performance at The Broad, Los Angeles, 2016. See more ideas about Performance art, Feminist art, Female artists. 933 Likes, 16 Comments - Brit Marling (@britmarling) on Instagram: “Janine Antoni's Lick and Lather - self portrait chocolate and soap busts she literally licked and…”. The sculptures were made by taking a mold of the artist’s body and then making casts of the form– one into chocolate and another into soap. Janine Antoni, Lick and Lather, 1993. March 2, 2015 mirandadelrey chocolate, dc, Hirshhorn, Hirshhorn Museum, Janine Antoni, meet the artist, sculpture, soap Leave a comment Awhile back, earlier this February, my friend Liz and I went to the Hirshhorn Museum for the Meet the Artist lecture with Janine Antoni. Painting with feet by Kazuo Shiraga:. Ken Friedman, 1966. What makes this art so compelling is not so much the restlessness of Francois' eye, but its ability to satisfy, both perceptually and conceptually, its own voracious appetites. For Janine Antoni, the body is a tool with which to create art. One Square Inch of Silence was very interesting to learn about. â The following year she dipped her locks into a bucket of hair dye and then mopped â or â drew onâ â the floor for a performance piece called â Loving Care. El paso de los años se representa en la película con una larguisma colcha que la protagonista teje mientras espera, como la de Janine Antoni y también hay chocolate, como en los autoretratos de la artista. We frequently conserve sculptures made from plaster, wax, resin, plastics, found objects, soap, electric light and organic materials such as hair or chocolate. of lard, gnawed by the artist (24 X 24 X 24 inches); 45 heart‐shaped packages for chocolate made from chewed chocolate removed. Janine Antoni gnashes and nibbles a huge cube of chocolate in this sweet-toothed work of performance art. About — Janine Antoni. Jane Alexander introduces the film. Photographed by: Pak Han at the Halprin Dance Deck. Fudge MountainRocky Mountain Chocolate Factory, 1419 First Ave, 262-9581. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. 05-ene-2013 - Google Image Result for http://thestimuleye. View Lipslick (1992) By Janine Antoni; chocolate, lipstick, phenyl ethylamine display with neon light on lacquered wooden plinth; 24¼ x 10 3/8 x 15¼in;. Three-part installation: 600 lbs. 14, 1969 - Janine Gray Comes to London. How do both medium and technique make Janine Antoni's Gnaw unique? Chocolate isn't a typical medium used in art and the technique is different because she actually "gnawed" on the piece of chocolate and using your own teeth to create artwork isn't common. But thanks to the wonderful service that is the internet, I found her name and some images of those sculptures. Painting with her hair, carving with her teeth, and shaping with her tongue, she blurs the line between sculpture and performance. She degraded the surface of the former by lathering it, and disfigured the features of the latter by licking it with her tongue, a tool not readily available at the art supply store. 3a), which features large, 600 pound cubes of. Antoni, Sikander, and Walker are young artists but seasoned infiltrators who have carved their ways into set traditions. View an image of the artwork → Gnaw began life as a pair of large cubes, one of chocolate, one of lard, each weighing in at 600 pounds. She is known for her unusual processes. Janine Antoni, hermana del escritor y amigo Robert Antoni, ambos originarios de Freeport, Bahamas, ahora residentes en Nueva York. She used her teeth to chip away at separate 600-pound blocks of lard and chocolate for the aforementioned 1991 work â Gnaw. By Matthew Nash on January 13, 2010 Magazine, Reviews. Yup!!! She choice soap because women are clean and smell sweet and nice, and chocolate because that’s the favorite choice of sweets among women. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. 2016 - Pinterest'te zizuuph adlı kullanıcının "janine antoni femen" panosunu inceleyin. ii Acknowledgments I would like to thank my family, my partner, and all our animals for their love, for helping me get through these past three years, and for being so understanding in those times I had to focus on. Instead of focusing purely on how the art object looks, her approach is more likely to draw the viewer into an engagement through touch, smell, taste, or sound and into the process of how the work comes to be. Janine Antoni The artist Janine Antoni uses every part of her body in her work. jpg Janine Antoni Lick and Lather, 1993 Complete set of fourteen busts: seven chocolate and seven soap on fourteen pedestals Each bust (approximately): 61 x 40. Janine Antoni was born on January 19, 1964 in Freeport, Bahamas. and I were stopped absolutely cold in our black boots by an enormous. Antoni's earlier work hits hard on obsessiveness, consumerism and beauty culture. What do lard, soap, chocolate and maple trees have in common? Artist Janine Antoni has sculpted, molded and even licked each of them into works of art. Huge collection, amazing choice, 100+ million high quality, affordable RF and RM images. Janine This paper analyzes Janine Antoni art process. Janine Antoni It was recommended that I investigate the work of Janine Antoni, an artist who works photographically as well as with performative sculpture. Floors are painted with hair dipped in hair dye, busts cast in chocolate and soap and licked and lathered by the artist are tenderly erased by the action. molded the chocolate she had spat-out into perfectly shaped chocolate and saliva replicas of the heart-shaped vacuum- formed packaging for candies. Throw the lemons. Janine Antoni was born in the Bahamas in 1964. accessioned: 2007-03-02T22:52:44Z: dc. Antoni, Sikander, and Walker are young artists but seasoned infiltrators who have carved their ways into set traditions. Janine Antoni In her works, which may be seen as in-depth explorations of the mechanisms of self-construction or self-reconstruction, she is particularly interested in psychological and physiological manifestations, in neurotic obsessions with cleanliness, in the excesses of romantic fixations and in sleeping and eating disorders. Sketches Final Piece. The show is financed, says the Observer, by the Swiss chocolatiers Nestle, Chocosuisse. Oldenburg. 27-year old Janine has been in Hollywood for five years and has appeared in the films, ''The Americanisation of Emily'', ''Quick Before It Melts'', and ''The Third Day''. All Antoni's main projects have been performed in front of an audience. Your Body Extension can be functional or its appearance can imply function but it must be designed to either attach to the body, or serve as a remote prosthesis. Jenny Saville Propped* (1994). Lipsticks and Candy Box. Janine Antoni Jcrae Jean Kilbourne Jean Tinguely Jeremy Deller Jethro GIllespie Mast Brothers Chocolate Material World Mathieu St-Pierre Matt Roche Memory Messages. Chadwick's recurrent use of perishable and edible materials to make work, for example chocolate, rotting food matter, and meat, aligns her practice to the likes of fellow British artist, Anya Gallacio, and to the American, Janine Antoni, as well as to the older feminist generation devoted to the exposure of flesh and our innards. The essay reveals the steps that the clip reveals on Antonis process and an evaluation of the video titled ‘Touch’. The history of self-portraits is long and varied. Each cube was originally 600lbs, but she whittled down each block "using her mouth as a tool". Compre o livro Bahamian Artists na Amazon. Gnawing, spitting, licking, cleaning, blinking, are some of their actions corporals. She uses her body as a tool to create art. March 2, 2015 mirandadelrey chocolate, dc, Hirshhorn, Hirshhorn Museum, Janine Antoni, meet the artist, sculpture, soap Leave a comment Awhile back, earlier this February, my friend Liz and I went to the Hirshhorn Museum for the Meet the Artist lecture with Janine Antoni. Janine Antoni. Caroline A. Janine Antoni was born on January 19, 1964 in Freeport, Bahamas. was one of the most acclaimed works. Fudge MountainRocky Mountain Chocolate Factory, 1419 First Ave, 262-9581. of Lard and 45 molded chocolate boxes and 102 lard lipsticks Works such as “Gnaw” display such taboo compulsions, as the subject of eating disorders was performed privately. Janine Antoni, Lick and Lather, 1993–94. Janine Antoni became indeed a fairy tale when she set foot in the Venice Biennale's Aperto, an exhibition committed to emerging juveniles, the year 1993, with her Lick and Lather made up of 14 portrait busts, cast of a model of herself and mounted on look-a-like ancient classical pedestals. in funk dancing. 14, 1969 - Janine Gray Comes to London. 1933) Cut Piece, performance, 1964 (Japan - PowerPoint PPT Presentation. Not the usual discussion of nannies, schools, social-media fears — but the profound act of childbirth itself, or the “miraculousness,” as she describes it in her native Bahamian lilt, of “this thing moving from the inside to the outside. If I had to choose just one artist from last week’s video to further focus on, I believe I would choose Janine Antoni. Janine Antoni, Lick and Lather, New Museum NYC. Then she licked the chocolate bust down until its features became indistinct, and took the soap bust into the shower with her, letting water slowly erode its features. Amidst the '90s "body-art-craze," Janine Antoni gnawed away at a 600-pound block of chocolate over the course of a month to create a jagged cube, infusing Minimalism with pathological desire and social issues such as anorexia. Janine Antoni and Anna Halprin: Paper Dance EXHIBITION ON VIEW JANUARY 23 – MARCH 17, 2019 Rotation C: Absence February 26 – March 17, 2019. Working with the choreographer Stephen Petronio and Anna Halprin, the 95-year-old Postmodern dance performer who helped pioneer the genre in. Janine Antoni Makes sculptures boiling down desire and memory into dense objects. Janine Antoni (1964) Janine Antoni uses her hair as a paint brush to paint the gallery floor with Loving Care hair colorant. Explora la feminidad y sus elementos simbólicos. Janine Antoni: Gnaw (Cube of Chocolate)* 1990: Term [image] Definition. Alpert; Hadi Fallahpisheh: Almost Alone By Simon Wu; Vija Celmins: To Fix the Image in Memory By Cynthia Cruz. Instead of focusing purely on how the art object looks, her approach is more likely to draw the viewer into an engagement through touch, smell, taste, or sound and into the process of how the work comes to be. After hearing her speak about the dedication and thought behind her works such as the rope symbolizing an umbilical cord for society and the cradle representing a constant need to be held,…. Since then, her work has been featured in solo and group exhibitions at such institutions as the Whitney Museum of American Art, New York; Museum of Modern Art, New York; The Mattress. The history of self-portraits is long and varied. 2004 “Touch,” Magasin 3 Stockholm Konsthall. It's a set of self-portrait busts that the artist cast in chocolate and soap and finished by licking. Photographer John Reilly and artist/designer Kirsten Hawthorne check out the Cindy Sherman and Krirsten gets into the act. She uses her body as a tool to create art. COVID-19 Update: Read about Moore’s current plans for the fall 2020 semester and summer academic programs. Janine Antoni b. It's where your interests connect you with your people. 1933) Cut Piece, performance, 1964 (Japan - PowerPoint PPT Presentation. "I wanted to work with the tradition of self-portraiture but also with the classical bustI had the idea that I would make a replica of myself in chocolate and in soap, and I would feed myself with my self, and wash myself with my self. She then softened the features. Cindy Sherman's photographs explore the non-boundary between inner and outer, form and informe, human and thing. At the Hirshhorn Museum and Sculpture Garden. Janine Antoni's object- and performance-based works draw from multiple influences including feminism and conceptualism, and in these works the artist has fashioned an investigation of the self through the examination of the mother/child dyad, creating a. Antoni “re-sculpted” Minimalist cubes of lard and chocolate by chewing and spitting out their corners. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. Janine Antoni: I am fertile ground By Nolan Kelly; Caroline Coon: The Great Offender By William Davie; Ron Gorchov: At the Cusp of the 80s, Paintings 1979–1983 By David Carrier; Brendan Fernandes: Contract and Release By Avram C. Five Edible (More or Less) Works in the Collection of the MOMA From the MOMA Inside/Out blog Picture is Gnaw by Janine Antoni: Creating this monumental sculpture must have been alternately exhausting. of Lard and 45 molded chocolate boxes and 102 lard lipsticks Works such as “Gnaw” display such taboo compulsions, as the subject of eating disorders was performed privately. Hey guys, mid-terms are over! Or just starting. Janine Antoni uses every part of her body in her work. Two self portrait busts: one chocolate and one soap. before binging chocolate 1992: Janine Antoni Lard Gnaw(600 lb. She carved Gnaw not in marble but in chocolate and lard—and not with a chisel but with her teeth. Collection of Jill and Peter Kraus. Combining performance and sculpture, she investigates such everyday activities as eating and sleeping. Janine artist. And having posted about artists working with their own body the last couple of days, today I’m all about an artist who uses her body not as the source of the image but as the tool to make the work. -The Lick and Lather sculpture is a self-portrait of Janine. 10) as a French Impressionist artist working in the nineteenth century A 19 JANINE ANTONI, Gnawa (1992). Lick a chocolate bust of yourself. Janine Antoni (1964) Janine Antoni uses her hair as a paint brush to paint the gallery floor with Loving Care hair colorant. By creating precious items from the blocks of lard and chocolate, Janine Antoni causes the viewer to do what? Link the cultural expectations of the items to their raw. Janine Antoni combines both sculpture and performance and as such continues a long tradition that includes the Dadaists e. Date 1992. Yup!!! She choice soap because women are clean and smell sweet and nice, and chocolate because that’s the favorite choice of sweets among women. Janine Antoni, Gnaw, 1992. For Janine Antoni, creative process takes on a psychological disposition. Janine Antoni: Chocolate Gnaw This chocolate sculpture was made by the artist using her teeth to gnaw (explicit in the title). No need to register, buy now!. Her performance and installation pieces have used “feminine” mediums, such as lard, hair dye, and chocolate, as metaphors to explore female sexuality. Janine antoni chocolate sculpture price, the late artists turned to record heart of chocolate and sleeping in filter by antoni is as concrete statue moulds sculpture is currently on a installation for her lecture at luhring augustine no friend of the artist undertook the chocolate and white chocolate bust of chocolate busts. In her breakthrough piece Gnaw (1992), she used her mouth to chisel away at two Minimalist-looking cubes—one made of 600 pounds of lard and the other of chocolate. Janine Antoni (born January 19, 1964, in Freeport, Bahamas) is a contemporary artist, who creates work in performance art, sculpture, and photography. Janine Antoni was born in Freeport, Bahamas, in 1964. identifier: 004143: en_US: dc. See more ideas about Female artists, Artist, Art jewelry contemporary. Janine Antoni, a sculpture as well, she created 14 busts of herself in a classical style but, instead of using marble, she used soap and chocolate. But I had convinced him to take some time off from selling ham--in order to. Squeezing off the excess, she drapes her dye-soaked. of chocolate; 600 lbs. 24” x 24” x 24” (61 cm x 61 cm x 61 cm). -- Sculptor Janine Antoni's "Lick and Lather" is a pair of portrait busts, one in chocolate and one in soap. 6 x 33 cm (24 x 16 x 13 inches) Each pedestal: 116. Two self portrait busts: one chocolate and one soap. Antoni however molds these busts out of chocolate and soap. Janine Antoni is an artist whose work is tied to the senses and how we experience and engage with the world through the physical. Artist Janine Antoni "carved" chocolate with her teeth and then spit it out. Antoni’s primary tool for making sculpture is her own body. Courtesy the artist and Luhring Augustine. Loving Care (1992-1996) Gnaw (1992) Lick and Lather (1993) I had the idea that I would make a replica of myself in chocolate and in soap, and I. She was thus symbolically washing herself with herself and licking herself. by Janine Antoni Installation art, performance art, sculpture. Janine Antoni interests me in her use of consumables such as chocolate and lard to relate to herself. com/wp-content/uploads/2011/08/POP-Magazine_AW2011_MARINA_ABRAMOVIC_RENE_HABERMACHER. Artisti: Janine Antoni. These two busts, constructed in a classical style, represent the self portrait of Janine Antoni. See more ideas about Artist, Performance art, Female artists. Her work is constantly evolving, pushing the boundaries that separate art from everyday life and objects, while simultaneously challenging her viewers’ assumptions about the world around them. But these aren’t your ordinary bronze or marble statues. figure 3a Janine Antoni “Gnaw” 1992 chocolate, lard, pigment, beeswax By the 1990s figural art took a more experiential direction for the viewer with the work of Janine Antoni. For the work Lick and. Feb 1, 2016 - Explore Somniis's board "Janine Antoni" on Pinterest. Janine Antoni expresses herself through performance and sculpture. Jenny Saville Propped* (1994). Picture is Gnaw by Janine Antoni: Creating this monumental sculpture must have been alternately exhausting and delightful for Antoni; she used her own mouth to chisel away at the 600-pound block of chocolate. Uncompromising photographic works like Mortar & Pestle, 1999,. Since then, her work has been featured in solo and group exhibitions at such institutions as the Whitney Museum of American Art, New York; Museum of Modern Art, New York; The Mattress. This approach drew particular attention to issues arising from the colonial legacy that are relevant to Latin America as a whole, but which emerge as central to the work of 21st-century Caribbean artists, including Janine Antoni (Bahamas), Humberto Diáz (Cuba), Jorge Pineda (Dominican Republic), and Allora & Calzadilla (Puerto Rico). Antoni’s Gnaw (1992), is an example of the artist using her body as a tool for sculpture. 24” x 24” x 24” (61 cm x 61 cm x 61 cm). Her body is both her tool for making and the source from which her meaning arises. Some lucky folks, myself included, are even asked to stand up so a work can be removed from the crate on which they sit. From this material gnawed off the two cubes, she fashioned into lipsticks and bite-sized chocolates. Upon showing my teacher, Ms. “Janine Antoni emerged in the early 1990s as an artist capable of reconciling performance with the object, and empowered feminist thinking with post-’80s artworld ambition…By setting up situations that force her lithe body into contact with malleable materials and spaces, she establishes tongue, eyelashes, and hair as evocative replacements for chisels, pencils, and brushes. Janine Antoni is active/lives in New York / Bahamas. Janine Antoni, Gnaw, 1992. 1 of 3 Rope Dance, 2015. identifier: 004143: en_US: dc. Lynda Benglis’ messy, spreading latex floor pieces come to mind, as do Janine Antoni’s blocks of chocolate and lard sculpted using nothing but her mouth. It's where your interests connect you with your people. 6 x 33 cm (24 x 16 x 13 inches) Each pedestal: 116. González-Torres’s pile of interactive candy and Janine Antoni’s “Lick and Lather” (molds of the artist’s head—one chocolate, the other soap—that The Important Role of Art Museums on College Campuses - The Atlantic. She creates objects with an intense admiration of life, in which her body is your vehicle, a fulcrum of perception, in which senses are enabled through corporeal textures. New York based artist, Janine Antoni has used chocolate as a medium in a number of works. The process may be undergone with hand tools such as gouges and mallets or with power tools such as angle grinders, die grinders and Dremel tools. Janine Antoni (born January 19, 1964, in Freeport, Bahamas) is a contemporary artist, who creates work in performance art, sculpture, and photography. Janine Antoni is active/lives in New York / Bahamas. Janine Antoni 1993-94 Lick And Lather 2 Chocolate And Soap Cradle, 1999, detail, two tons of steel, 59 x 58 x 60-1/2”. Buy online, view images and see past prices for Janine Antoni (B. Seven were cast in chocolate, which she then licked. If you see someone you know, wink. Installation shot. Rope connecting people- bring them together in one big rope. of chocolate and 600 lbs. In 1993 her lard and chocolate cubes installation Gnaw was one of the most memorable exhibits in the Whitney Biennial. Antoni also combined the masticated and then spat-out animal fat with pigment and beeswax to make some 300 hand-made bright red lipsticks. She carved Gnaw not in marble but in chocolate and lard—and not with a chisel but with her teeth. This work functionedas Antoni’s preparation for Gnaw (1992), a larger project that features 600-pound cubes of chocolate and lard. Lots of chocolate. Antoni made the molds “directly” from her “body. , as well as intimate castings such as Janine Antoni’sUmbilical (2000). See more ideas about Performance art, Feminist art, Female artists. From Leonardo da Vinci’s likeness in red chalk, to court painters such as Velázquez painting their own image into commissioned portraits of others, to Janine Antoni’s busts made of chocolate and soap, each artist has devised their own unique way to depict themselves.